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Colmar international festival - Young Talent Cycle: Céleste Klingelschmitt, violin
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08-07-2025 12:30
08-07-2025
Europe/Paris
Colmar international festival - Young Talent Cycle: Céleste Klingelschmitt, violin
Violin : Céleste Klingelschmitt
This concert offers a captivating musical exploration, highlighting the evolution of violin language through three emblematic works.
It will begin with Bach's Sonata No. 1 in G minor, composed in 1720. This masterful piece illustrates Bach's intellectual virtuosity, offering exceptional emotional depth and technical complexity.
It will continue with Sonata No. 1 in G minor by Eugène Ysaÿe, written in 1923. Inspired by the works of Bach, Ysaÿe incorporates a modern style, mixing polyphony, chromaticism and virtuoso techniques, while paying homage to the Baroque tradition.
Finally, the concert will conclude with Béla Bartók's Sonata for Solo Violin, composed in 1944. This daring work, influenced by Hungarian folklore, has a four-movement structure, including a complex central fugue, exploring raw and intense expressive territories.
These three sonatas, although composed at different times, share a common quest: to transcend the limits of the instrument and offer a profound and unforgettable musical experience.
Program
Johann Sebastian Bach, Sonata for solo violin BWV 1001 B16
Eugène Ysaÿe, Sonata for solo violin No.1, Op.23
Béla Bartók, Sonata for solo violin, Sz.117
Supported by Vialis.
In partnership with the Conservatoire National de Musique et de Danse de Paris (CNSMDP) Colmar resafestival@tourisme-colmar.com
This concert offers a captivating musical exploration, highlighting the evolution of violin language through three emblematic works.
It will begin with Bach's Sonata No. 1 in G minor, composed in 1720. This masterful piece illustrates Bach's intellectual virtuosity, offering exceptional emotional depth and technical complexity.
It will continue with Sonata No. 1 in G minor by Eugène Ysaÿe, written in 1923. Inspired by the works of Bach, Ysaÿe incorporates a modern style, mixing polyphony, chromaticism and virtuoso techniques, while paying homage to the Baroque tradition.
Finally, the concert will conclude with Béla Bartók's Sonata for Solo Violin, composed in 1944. This daring work, influenced by Hungarian folklore, has a four-movement structure, including a complex central fugue, exploring raw and intense expressive territories.
These three sonatas, although composed at different times, share a common quest: to transcend the limits of the instrument and offer a profound and unforgettable musical experience.
Program
Johann Sebastian Bach, Sonata for solo violin BWV 1001 B16
Eugène Ysaÿe, Sonata for solo violin No.1, Op.23
Béla Bartók, Sonata for solo violin, Sz.117
Supported by Vialis.
In partnership with the Conservatoire National de Musique et de Danse de Paris (CNSMDP) Colmar resafestival@tourisme-colmar.com
Adress :
Grand rue, 68000 Colmar
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Event dates :
LE July 8th 2025
The exact dates of this event aswell as its hours are available in the table below
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Detailed information
Type of event :
Music festival
Venue
Salle Roesselmann - Koifhus
Target audience
Adults (individuals)
Couple
Families
Groups
Dates and opening hours
LE July 8th from 12h30 to 13h30
Prices
Rate
Rates
15€
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Descriptif
This concert offers a captivating musical exploration, highlighting the evolution of violin language through three emblematic works.
It will begin with Bach's Sonata No. 1 in G minor, composed in 1720. This masterful piece illustrates Bach's intellectual virtuosity, offering exceptional emotional depth and technical complexity.
It will continue with Sonata No. 1 in G minor by Eugène Ysaÿe, written in 1923. Inspired by the works of Bach, Ysaÿe incorporates a modern style, mixing polyphony, chromaticism and virtuoso techniques, while paying homage to the Baroque tradition.
Finally, the concert will conclude with Béla Bartók's Sonata for Solo Violin, composed in 1944. This daring work, influenced by Hungarian folklore, has a four-movement structure, including a complex central fugue, exploring raw and intense expressive territories.
These three sonatas, although composed at different times, share a common quest: to transcend the limits of the instrument and offer a profound and unforgettable musical experience.
Program
Johann Sebastian Bach, Sonata for solo violin BWV 1001 B16
Eugène Ysaÿe, Sonata for solo violin No.1, Op.23
Béla Bartók, Sonata for solo violin, Sz.117
Supported by Vialis.
In partnership with the Conservatoire National de Musique et de Danse de Paris (CNSMDP)
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